Becca sees The Changelings from Ten Thousand Things
The will of the people is our most important value, except those times that it's not.
True story: When a warehouse in Secaucus, NJ is unexpectedly open, music theater buffs react like they've found King Tut's tomb.
This witty company has gotten really good at the almost impossible task of adapting large literary classics.
Prepare to be moved.
Joseph Douaihy isn’t doing well. The marathon champion has chronic pain. His boss is overbearing. His father and uncle are ailing. His brother …
Red Eye's New Works 4 Weeks festival features four weekends of dance, theater, and music – must-see brave new work by Twin Cities up-and-coming …
Scapegoat is a sweeping new drama by playwright Christina M. Ham, directed by Marion McClinton. Set in Elaine, Arkansas, home to one of the …
Each year, novice and published writers from around the world enter Lakeshore’s highly regarded ten-minute play writing contest. Lakeshore …
In the first full-length, English-language theatrical parody, a company of actors prepares for a performance of “The London Merchant.” …
The classic tale of love, seduction, and revenge gone wrong. It's springtime in 1962 at the New York City firm of Mantua and Son. The rakish …
A couple blog posts with theater advice about making it in New York provide unexpected insight into Minnesota.
While Garrison Keillor seems like Minnesota's essential national representative, don't forget that Penumbra Theatre nurtured the equally famous August Wilson.
Wendy Knox and Bain Boehlke. Michelle Hensley and Lou Bellamy. Do they have anything in common? Quinton Skinner tracks it down.
Decentralized, political, process-oriented, and anti-fashion: Does that sound like the dance you've seen around town?
How are Minnesota playwrights like weeds and kittens? Poole's #2 post considers the unique legacy of the Playwrights' Center. Plus, Craig Wright pipes in.
"We are on the cusp of a change in what Twin Cities theater is, or at least, what it is willing to do."
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