A local playwright and local filmmaker debate the differences between the two art forms.
or, "How to guarantee that they won't come back"
What are the movies teaching us about action and inaction?
Should you have a better reason than great songs to do a show?
And how BLM's protests use theatricality well.
Puppets ‘n’ People presents a new puppetry series called Things with Wings. Come enjoy three brand new puppet shows about loons, swallows, …
Eclectic Edge Ensemble Guest Resident of The Southern Theater’s ARTShare Program
Live music & dance! Family-friendly!
The party's been raging hard at the tail end of the big, bad 1980s in Hollywood. Aspiring rock star Drew long to be the next big thing (and …
A rapid-fire, award-winning social drama
Amir Kapoor, a successful Pakistani-American lawyer, is happy, in love and about to land the …
The 2016 campaign for president is well underway, but so many unknowns remain – specifically what hilarious and ridiculous things will …
One scene, two improvisers, no boundaries. Michael DallaValle and Sean Dillon start from nothing and spin out a single long-form theatrical …
A couple blog posts with theater advice about making it in New York provide unexpected insight into Minnesota.
While Garrison Keillor seems like Minnesota's essential national representative, don't forget that Penumbra Theatre nurtured the equally famous August Wilson.
Wendy Knox and Bain Boehlke. Michelle Hensley and Lou Bellamy. Do they have anything in common? Quinton Skinner tracks it down.
Decentralized, political, process-oriented, and anti-fashion: Does that sound like the dance you've seen around town?
How are Minnesota playwrights like weeds and kittens? Poole's #2 post considers the unique legacy of the Playwrights' Center. Plus, Craig Wright pipes in.
"We are on the cusp of a change in what Twin Cities theater is, or at least, what it is willing to do."
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