Women are still massively underrepresented in theater, and it's all of our faults.
The new Harry Potter play inspires one of those moments.
One show wasn't seen at the fringe. Bill Stiteler makes the argument that you should care about that very much.
A reminder as we say goodbye to this year's Fringe.
Kevin gets the last words in this on-going dialogue about the difference between film and theater.
The Tony® Award Winning musical, Million Dollar Quartet is set on December 4, 1956, when an extraordinary twist of fate brought Johnny CASH, …
2 for 1 drinks
Jarring and complex, DAI (enough) is the 2008 Lucille Lortel Award–winning play by Israeli-American performance artist Iris Bahr. …
Travel back in time through Saint Paul’s colorful past with Joe Chvala and the Flying Foot Forum’s bold new production. Part enchanting …
The Drowsy Chaperone
Book by Bob Martin and Don Keller
Music and Lyrics by Lisa Lambert and Greg Morrison
Action! Comedy! Romance! Alexandre Dumas’ swashbuckling classic remains timeless in this delightful adaptation that has been called “two …
A couple blog posts with theater advice about making it in New York provide unexpected insight into Minnesota.
While Garrison Keillor seems like Minnesota's essential national representative, don't forget that Penumbra Theatre nurtured the equally famous August Wilson.
Wendy Knox and Bain Boehlke. Michelle Hensley and Lou Bellamy. Do they have anything in common? Quinton Skinner tracks it down.
Decentralized, political, process-oriented, and anti-fashion: Does that sound like the dance you've seen around town?
How are Minnesota playwrights like weeds and kittens? Poole's #2 post considers the unique legacy of the Playwrights' Center. Plus, Craig Wright pipes in.
"We are on the cusp of a change in what Twin Cities theater is, or at least, what it is willing to do."
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