by Ira Brooker • Apr. 28
Let's give local theater some credit for giving local audiences some credit.
by Alan M. Berks • Apr. 23
Does a type of arts criticism exist that would please artists, audiences, and newspaper editors at the same time?
by Derek Lee Miller • Apr. 22
Criticism | Production | Tradition
We all have a problem with figuring out "authenticity", and South Carolina still has a problem with lesbians.
by Ira Brooker • Apr. 21
A critic owns up to his personal bias, but does he still do the production a disservice?
by Fire Drill • Apr. 18
Looking through the prisms of form, character and audience expectation to see why "theater is 50 years behind dance."
by Richard Chin • Apr. 17
Celebrations of the Bard are coming hot and heavy this year. A founder of a new Shakespeare film fest explains why we can't have too many.
by Dominic Orlando • Apr. 15
The Jungle's latest is well-written, well-produced, well-acted and well worth seeing. And yet...
by Derek Lee Miller • Apr. 15
Audience | Production
The New York Times says straight men don't like Broadway anymore. (Wait... they did before?)
by Paul de Cordova • Apr. 8
"I wish I was excited as a theater artist to see more theater. How do we get theaters to really encourage artists to come see the work?"
by Derek Lee Miller • Apr. 8
Signs of spring, politics, and a play that can't seem to settle in one theater.
See it this week at Private Residence in Brooklyn Park. Presented by Off-Leash Area.
Andrew Troth produces Blood Brothers playing at Ames Center this month.
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