by Derek Lee Miller • Aug. 19
Audience | Production
One theater leaves. Another takes its place. And the circle of theater life continues.
by Molly Van Avery • Aug. 18
The act of placemaking has inspired performance artist Molly Van Avery to look at all aspects of art-making differently.
by Derek Lee Miller • Aug. 12
Fringe | Innovation
The Fringe is over. Let's get back to complaining about stuff.
by Dawn Brodey • Aug. 10
Find out what artists really think about earning the Fringe encore.
by Adia Morris • Aug. 9
Adia covers some uncovered corners of the Fringe including what its like to produce a Fringe show (and call it).
by Paul de Cordova • Aug. 8
Day 8 writer parks himself inside the hustle and bustle of the Rarig Center.
by Ricardo Vazquez • Aug. 7
Can theater live up to the visceral drama of a video game? Ironically, CRIME AND PUNISHMENT demonstrates there's hope for theater.
by Ira Brooker • Aug. 6
"I was left gasping for breath and on the verge of tears at the horrific beauty of it all." Plus, four other reviews.
by H. Adam Harris • Aug. 5
Since he stopped being snooty about the Fringe, a local actor discovers new ways to experience joy, ambition, and failure.
by Derek Lee Miller • Aug. 5
Fringe | Vision
You know, because it's Fringe.
See it this week at Park Square Theatre in St. Paul. Presented by Park Square Theatre.
Ty Hudson performs in Double Feature: The Antichrist Cometh and Brilliant Traces playing at Ames Center this month.
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