by Gemma Irish • May. 18
Working with others doesn't always come easily for writers, but if you want to be in theater you'd better get over it.
by Marya Hornbacher • May. 15
A new exploration of an unsung artist is flawed, and that's a good thing. The gender balance of local critics is also flawed, and that's not as good.
by Derek Lee Miller • May. 13
Process | Production
What's everyone announcing now that I will forget later? Let's review.
by Dawn Brodey • May. 11
As another crop of theater grads hits the outside world, Dawn Brodey offers some tips for survival.
by Dominic Orlando • May. 8
Can a working artist ever feel comfortable as a critic in his or her own discipline?
by Paul de Cordova • May. 7
"I don’t think people understand that when someone says, 'I want to be an actress, they’re not necessarily saying, 'I want to be Meryl Streep.'"
by Derek Lee Miller • May. 6
Innovation | Vision
An old space sells for $1, and it's probably still too expensive for you.
by Charles Campbell • May. 4
The Machine wants us. Do we rage against it, run away from it or try to dismantle it from the inside?
by Marya Hornbacher • Apr. 30
Is it enough for a play to be perfectly good if it doesn't connect where it counts?
by Derek Lee Miller • Apr. 29
It's live performance. It's dependent on people showing up. How do we do that, exactly?
See it this week at Riley-Jacques Barn in Eden Prairie. Presented by Eden Prairie Players.
Ben Layne produced The Man in Her Dreams playing at Nimbus Theater this month.
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