by Sophie Kerman • Oct. 15
Katherine Glover attempts to tackle an enormous, thorny, provocative topic in her newest play, but the topic wiggles out her grasp.
by Derek Lee Miller • Oct. 13
Innovation | Management | Vision
Another LORT theater goes down. RIP Georgia Shakespeare.
by Paul de Cordova • Oct. 13
Innovation | Training | Vision
We've got a globe-trotting, Twin Cities improv and theater Ambassador in our midst. You should know her better.
by Ira Brooker • Oct. 9
It's a play about how things work, but Ira can't figure out how it works. He only knows that it does.
by Dominic Orlando • Oct. 8
In idyllic Lanesboro, MN, 13 actors make Stoppard's 3 hour play an effortless trip through time.
by Derek Lee Miller • Oct. 7
Horror, recovery, and other things. It's a grab bag this week as we hurtle into fall.
by Alan M. Berks • Oct. 6
We've been challenged to invest in even better arts journalism. Your support until midnight is doubled.
by Sophie Kerman • Oct. 3
In her 1st review for us, Sophie Kerman is engrossed in a play even though she suspects it isn't up to Walking Shadow's standards.
by Dominic Orlando • Oct. 1
"It's an object lesson in how performance itself can hold us suspended even when character and plot have left the field."
by Derek Lee Miller • Sep. 29
Social Service | Vision
See the winners of the Knight Arts Challenge. Also, how well are we tackling the Top Ten Most Produced Plays?
See it this week at In the Heart of the Beast Theatre in Minneapolis. Presented by Green T Productions with Sumunar Indonesian Music and Dance.
Angela Walberg Produces and Performs In Neil Gaiman’s Murder Mysteries: A Play for Voices playing at Black Forest Inn this month.
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