by Lisa Hu • Nov. 3
Aditi Brennan Kapil’s trilogy dug into identities at Mixed Blood and Lisa Hu was there for all 4.5 hours.
by Erin Sheppard • Oct. 30
"We can't get bloody, because a sticky stage would be difficult to dance on."
Posted Oct. 29
News and notes |
This week, we'll trot around the world looking for good news and somehow wind up back home.
by Tim Uren • Oct. 27
Entertaining an audience is one thing. Scaring the crap out of them is something else entirely.
by Alana Horton • Oct. 24
'Maple and Vine' and 'This Is A World To Live In' offer very different takes on modernity and nostalgia.
Posted Oct. 22
News and notes | Innovation | Process | Production
The Lion King hits a billion dollars. Then there's the rest of us.
by Paul de Cordova • Oct. 21
Our new feature kicks off with esteemed actor Gary Briggle discussing his life on stage.
by Shannon Forney • Oct. 17
The Guthrie isn't the first place you expect puppets, whimsy or regional humor. That made this fish story all the nicer.
Posted Oct. 15
News and notes | Criticism | Management | Tradition
Sometimes companies die. Sometimes they cheat death and come back to us.
by Josh Cragun • Oct. 13
As the arts world embraces independence, Josh Cragun looks to punk rock and Bandcamp as models for the future of theater.
See it this week at Artspace at the Traffic Zone Center for Visual Art in Minneapolis. Presented by Dark & Stormy Productions.
Mickaylee Shaughnessy performs in Orpheus Descending by Tennessee Williams playing at Open Eye Figure Theatre this month.
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