by Derek Lee Miller • Aug. 12
Fringe | Innovation
The Fringe is over. Let's get back to complaining about stuff.
by Dawn Brodey • Aug. 10
Find out what artists really think about earning the Fringe encore.
by Adia Morris • Aug. 9
Adia covers some uncovered corners of the Fringe including what its like to produce a Fringe show (and call it).
by Paul de Cordova • Aug. 8
Day 8 writer parks himself inside the hustle and bustle of the Rarig Center.
by Ricardo Vazquez • Aug. 7
Can theater live up to the visceral drama of a video game? Ironically, CRIME AND PUNISHMENT demonstrates there's hope for theater.
by Ira Brooker • Aug. 6
"I was left gasping for breath and on the verge of tears at the horrific beauty of it all." Plus, four other reviews.
by H. Adam Harris • Aug. 5
Since he stopped being snooty about the Fringe, a local actor discovers new ways to experience joy, ambition, and failure.
by Derek Lee Miller • Aug. 5
Fringe | Vision
You know, because it's Fringe.
by Levi Weinhagen • Aug. 4
That Levi pushes himself to a show in every slot available on Sunday and discovers how hard Fringe can be.
by Marya Hornbacher • Aug. 3
Fringe-binger and tough critic Marya Hornbacher provides some Fringe party history and finds equanimity after two misfires.
See it this week at Theatre in the Round in Minneapolis. Presented by Theatre in the Round Players.
Kevin McLaughlin performs in The Man in Her Dreams playing at Nimbus Theater this month.
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