by Derek Lee Miller • May. 13
Process | Production
What's everyone announcing now that I will forget later? Let's review.
by Dawn Brodey • May. 11
As another crop of theater grads hits the outside world, Dawn Brodey offers some tips for survival.
by Dominic Orlando • May. 8
Can a working artist ever feel comfortable as a critic in his or her own discipline?
by Paul de Cordova • May. 7
"I don’t think people understand that when someone says, 'I want to be an actress, they’re not necessarily saying, 'I want to be Meryl Streep.'"
by Derek Lee Miller • May. 6
Innovation | Vision
An old space sells for $1, and it's probably still too expensive for you.
by Charles Campbell • May. 4
The Machine wants us. Do we rage against it, run away from it or try to dismantle it from the inside?
by Marya Hornbacher • Apr. 30
Is it enough for a play to be perfectly good if it doesn't connect where it counts?
by Derek Lee Miller • Apr. 29
It's live performance. It's dependent on people showing up. How do we do that, exactly?
by Ira Brooker • Apr. 28
Let's give local theater some credit for giving local audiences some credit.
by Alan M. Berks • Apr. 23
Does a type of arts criticism exist that would please artists, audiences, and newspaper editors at the same time?
See it this week at Illusion Theater in Minneapolis. Presented by Green T Productions.
phillip low wrote and is performing Indefinite Articles: A Libertarian Rage playing at U of Minnesota Rarig Center Arena this month.
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