by Ira Brooker • Oct. 27
'Doll Collection' is Ira's highlight of the Horror Festival so far, but if creepiness isn't your thing, then stay for the dance or comedy.
by Christopher Kehoe • Oct. 26
Audience | Vision
Our big Indiegogo match-maker is more energized by what you give.
by Mark Sweeney • Oct. 23
The creator of a successful Fringe Fest walking show takes a ride on the Green Line to explore more moving theater.
by Matthew Foster • Oct. 22
"People wish to be useful more than they desire to be rich. We are hardwired to make meaningful contributions to the lives of those around us."
by Derek Lee Miller • Oct. 20
Minneapolis/St. Paul is voted the second-best theater scene in the country (even if Mike Daisey says the theater world is falling apart).
by Adia Morris • Oct. 20
The dance and theater communities in the Twin Cities are like the Twin Cities--connected yet oddly separated. Let's build a bridge across the river divide.
by Dominic Orlando • Oct. 16
You may think you've seen enough of this play. You'll want to see this version anyway.
Posted Oct. 15
After words |
Everyone looked great. Honorees cried. Dancers danced. How do the Sage Awards compare to other awards shows?
by Sophie Kerman • Oct. 15
Katherine Glover attempts to tackle an enormous, thorny, provocative topic in her newest play, but the topic wiggles out her grasp.
by Derek Lee Miller • Oct. 13
Innovation | Management | Vision
Another LORT theater goes down. RIP Georgia Shakespeare.
See it this week at Phoenix Theatre in Minneapolis. Presented by Ghoulish Delights and Paradox Productions.
Annelise Eckelaert performs in Coast of Utopia Staged Reading playing at Phoenix Theater this month.
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