by Gemma Irish • May. 18
Working with others doesn't always come easily for writers, but if you want to be in theater you'd better get over it.
by Marya Hornbacher • May. 15
A new exploration of an unsung artist is flawed, and that's a good thing. The gender balance of local critics is also flawed, and that's not as good.
by Derek Lee Miller • May. 13
Process | Production
What's everyone announcing now that I will forget later? Let's review.
by Dawn Brodey • May. 11
As another crop of theater grads hits the outside world, Dawn Brodey offers some tips for survival.
by Dominic Orlando • May. 8
Can a working artist ever feel comfortable as a critic in his or her own discipline?
by Paul de Cordova • May. 7
"I don’t think people understand that when someone says, 'I want to be an actress, they’re not necessarily saying, 'I want to be Meryl Streep.'"
by Derek Lee Miller • May. 6
Innovation | Vision
An old space sells for $1, and it's probably still too expensive for you.
by Charles Campbell • May. 4
The Machine wants us. Do we rage against it, run away from it or try to dismantle it from the inside?
by Marya Hornbacher • Apr. 30
Is it enough for a play to be perfectly good if it doesn't connect where it counts?
by Derek Lee Miller • Apr. 29
It's live performance. It's dependent on people showing up. How do we do that, exactly?
See it this week at Square Park Theatre in St. Paul. Presented by Park Square Theatre.
Katherine Engel performs in If We Were Birds playing at Nimbus Theatre this month.
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