by Dominic Orlando • Jun. 20
The much-discussed musical comes wrapped in controversy, but its problems run even deeper - or shallower - than that.
by Derek Lee Miller • Jun. 17
One of the regional theater players died this week. What does it mean?
by Ira Brooker • Jun. 16
The weather did its damnedest to douse this year's Spark, but a non-optimal experience isn't necessarily a bad one.
by Marya Hornbacher • Jun. 12
In 1988 'Our Country's Good' was hailed as "a modern classic." It's not 1988 anymore.
by Derek Lee Miller • Jun. 10
Every reason why you should hate the Tonys and never watch them again.
by Billie Jo Konze • Jun. 8
Is taking unpaid work a harsh fact of acting or a betrayal of the art? One actress tries to sort it out with herself.
by Dominic Orlando • Jun. 5
Dark & Stormy employs some heavy hitters in service of a light comedy, and Dominic Orlando wonders if that's enough.
by Rhiana Yazzie • Jun. 4
Does Minnesota know itself well enough to responsibly produce a show like Bloody Bloody Andrew Jackson?
by Derek Lee Miller • Jun. 3
What starts off as an attempt to do our civic duty quickly devolves into petty complaining about Broadway.
by Ira Brooker • Jun. 2
Theater folks love their nontraditional spaces, but are they always an asset to the art?
See it this week at Intermedia Arts in Minneapolis. Presented by Theatre Pro Rata.
Ty Hudson performs in Double Feature: The Antichrist Cometh and Brilliant Traces playing at Ames Center this month.
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