by Ashley Hanson • Aug. 27
Successful public art in community requires a commitment to the place that endures beyond the last show.
by Derek Lee Miller • Aug. 25
Innovation | Vision
Let's try to figure out this Creative Placemaking thing before it drives me bonkers.
by Charles Campbell • Aug. 25
Charles responds to Ashley and Molly's essays with an attempt to locate why a common hesitancy emerges.
by Charles Campbell • Aug. 21
Should we be worried when artists are asked to save the world?
by Ashley Hanson • Aug. 20
Greater Minnesota | Innovation
Ashley Hanson uses her artistic talents in service to her rural roots but rejects the idea that the place needed her to "make" it.
by Derek Lee Miller • Aug. 19
Audience | Production
One theater leaves. Another takes its place. And the circle of theater life continues.
by Molly Van Avery • Aug. 18
The act of placemaking has inspired performance artist Molly Van Avery to look at all aspects of art-making differently.
by Derek Lee Miller • Aug. 12
Fringe | Innovation
The Fringe is over. Let's get back to complaining about stuff.
by Dawn Brodey • Aug. 10
Find out what artists really think about earning the Fringe encore.
by Adia Morris • Aug. 9
Adia covers some uncovered corners of the Fringe including what its like to produce a Fringe show (and call it).
See it this week at Artspace Grain Belt Bottling House in Minneapolis. Presented by Dark & Stormy Productions.
Hannah Steblay directs 'Twas the Night Before Christmas playing at Ames Center this month.
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