by Charles Campbell • Mar. 26
Charles Campbell's exploration of artistic change continues with an embrace of weirdness. Also, soup metaphors.
by Derek Lee Miller • Mar. 25
Innovation | Tradition | Vision
Getting paid and doing Shakespeare (not necessarily related).
by Dominic Orlando • Mar. 21
Does Peter Rothstein's new production capture the secret darkness of an oft-underestimated classic?
by Maggie K. Sotos • Mar. 18
A sweet, unscripted onstage act breaks the fourth wall and makes headlines, and that's a problem.
Posted Mar. 17
News and notes |
While we're talking about equitable representation in theater, pricing is getting dynamic.
by Derek Lee Miller • Mar. 16
How much can an actor expect to earn in the Twin Cities? Let's see what we can find.
by Tane S. Danger • Mar. 12
Creative placemaking is all the rage, but who gets to decide what's best for a neighborhood?
by Derek Lee Miller • Mar. 11
Innovation | Management
The struggle to find the spaces to perform in continues. (Also, what not to do when adapting Shakespeare.)
by Paul Herwig • Mar. 9
A local artist heads to Toronto's SummerWorks festival to see how the Twin Cities scene stacks up against some of Canada's finest.
by Dominic Orlando • Mar. 6
Dominic Orlando digs into 'Tristan & Yseult,' 'Shakespeare’s Will' and 'The Ballad of Emmett Till.'
See it this week at The Peoples Center Theater in Minneapolis. Presented by Candid Theater Co..
Andrew Troth co-produces Now I See - Special Encore of the 2014 Fringe Hit! playing at Ames Center this month.
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