by Paul de Cordova • Jul. 7
Tradition | Training | Vision
"So what keeps me going is interpreting the fabulous things. To bring truth to it. It also stretches me."
by Marya Hornbacher • Jul. 3
A glowing review of The Jungle's production. Plus, so much more to know about 19th century narrative realism and James' women.
by Derek Lee Miller • Jul. 1
A conversation over a beer with someone about News and Notes and the state of theatre journalism.
by Suzi Larkin and Lindsay Zumbrunnen Guetzkow • Jun. 26
In Watertown, Minnesota, playwrights of all ages get a chance to shine.
by Derek Lee Miller • Jun. 24
The Artistic Director position at the Guthrie is officially up for grabs. I will answer the call.
by Ira Brooker • Jun. 23
Playlist editor Ira Brooker drops some thanks and gets a little weepy on his way out the door.
by Dominic Orlando • Jun. 20
The much-discussed musical comes wrapped in controversy, but its problems run even deeper - or shallower - than that.
by Derek Lee Miller • Jun. 17
One of the regional theater players died this week. What does it mean?
by Ira Brooker • Jun. 16
The weather did its damnedest to douse this year's Spark, but a non-optimal experience isn't necessarily a bad one.
by Marya Hornbacher • Jun. 12
In 1988 'Our Country's Good' was hailed as "a modern classic." It's not 1988 anymore.
See it this week at In the Heart of the Beast Theatre in Minneapolis. Presented by Green T Productions with Sumunar Indonesian Music and Dance.
Erin Denman performs in Double Feature: The Antichrist Cometh and Brilliant Traces playing at Ames Center this month.
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