by Mark Sweeney October 22, 2014
Theater on the green line? For 200 people? What is this moving theater people keep making? Who is Green Line Theater?
Review by Matthew Foster October 21, 2014
"People wish to be useful more than they desire to be rich. We are hardwired to make meaningful contributions to the lives of those around us."
Blog post by Derek Lee Miller October 20, 2014
Minneapolis/St. Paul is voted the second-best theater scene in the country (even if Mike Daisey says the theater world is falling apart).
Interview by Adia Morris October 19, 2014
The dance and theater communities in the Twin Cities are like the Twin Cities--connected yet oddly separated. Let's build a bridge across the river divide starting with this interview with an outspoken leader.
Review by Dominic Orlando October 15, 2014
You may think you've seen enough of this play. You'll want to see this version anyway.
Review by Alan M. Berks October 15, 2014
Review by Sophie Kerman October 14, 2014
Katherine Glover attempts to tackle an enormous, thorny, provocative topic in her newest play, but the topic wiggles out her grasp.
Blog post by Derek Lee Miller October 13, 2014
Another LORT theater goes down. RIP Georgia Shakespeare. Now, what can we learn from it?
Interview by Paul de Cordova October 12, 2014
We've got a globe-trotting, Twin Cities improv and theater Ambassador in our midst. You should know her better.
Review by Ira Brooker October 8, 2014
It's a play about how things work, but Ira can't figure out how it works. He only knows that it does.
Review by Dominic Orlando October 7, 2014
In idyllic Lanesboro, MN, 13 actors make Stoppard's 3 hour play an effortless trip through time.
Blog post by Derek Lee Miller October 6, 2014
Horror, recovery, 99 seat problems, and other things. It's a grab bag this week as we hurtle into fall.
by Alan M. Berks October 5, 2014
We've been challenged to invest in even better arts journalism. Read about what means. (Deadline is Tuesday at midnight.)
Review by Sophie Kerman October 2, 2014
In her 1st review for us, Sophie Kerman is engrossed in a play even though she suspects it isn't up to Walking Shadow's standards.
Review by Dominic Orlando September 30, 2014
Flying Foot Forum's new "Alice in Wonderland" is "an object lesson in how performance itself can hold us suspended even when character and plot have left the field."
by Derek Lee Miller September 28, 2014
A clown, a set, a fight, a dance, an improvised monologue and one deliver in Spanish. These are the moments that Derek remembers from last season.
Blog post by Derek Lee Miller September 28, 2014
See the winners of the Knight Arts Challenge. Also, how well are we tackling the Top Ten Most Produced Plays?
by MinnesotaPlaylist September 28, 2014
For your amusement, we compiled a few of outtakes from the Indiegogo campaign video we made. Happy Monday!
by Laura Zabel September 24, 2014
TBT: (originally published June 1, 2011) Springboard for the Arts' executive director Laura Zabel responds to veto of Arts Commission budget in her home state, Kansas.
Review by Marya Hornbacher September 23, 2014
This production of Erin Shields' "If We Were Birds" dramatizes an emotional truth more powerful than simply making a myth relevant again.
Review by Matthew Foster September 23, 2014
Introducing Matthew Foster as one of our new critics. Come for the opinion; stay for the way with words.