Review by Kip Dooley February 22, 2017
Tackling an Oscar Wilde classic, Four Humors finds laughter, little more.
Blog post by Derek Lee Miller February 20, 2017
The Academy is setting itself up for some stark choices.
by Becca Hart February 16, 2017
We have all been there, starting at images of ourselves, wondering...
by Hailey Colwell February 14, 2017
A condensed take on the classic opera is visceral and real.
The Jungle chose a fitting time to bring back this dark and poetic show.
by Rachel Teagle February 14, 2017
While all the ingredients are there, Walking Shadow’s Marie Antoinette never quite melds.
Blog post by Derek Lee Miller February 13, 2017
In the search for both political and funding equity, you will have many strange bedfellows.
by Rachel Teagle February 7, 2017
To create something new, we must first love what is old
by Hailey Colwell February 7, 2017
Corazón Eterno breathes life and language into old tropes.
Review by Hailey Colwell February 7, 2017
The Highwaymen shows us the price — in lives — of progress.
by Derek Lee Miller February 6, 2017
Rejuvenating the forest
by Becca Hart February 2, 2017
If you're a theater-maker than every show you see is worthwhile.
Review by Hailey Colwell February 1, 2017
See this cathartic play here, then help bring it closer to home.
Blog post by Derek Lee Miller January 30, 2017
We get paid for this?
by Alan M. Berks January 30, 2017
MinnesotaPlaylist officially changes ownership on February 1.
by Sally Wingert,
and Jim Lichtscheidl
January 27, 2017
This Guthrie mainstay was brutally honest, brutally funny, and brilliant.
Review by Cecilia Johnson January 26, 2017
What does one of greatest dramatists have to say about men who think women are property?
Review by Hailey Colwell January 25, 2017
The new administration inaugurates some great work from the Moving Company.
Blog post by Derek Lee Miller January 23, 2017
Culture is the first thing they'll try to kill.
by Rachel Teagle January 22, 2017
Can we be like sea otters and float off together into a bright future?
by Becca Hart January 19, 2017
Because winter comes with its own special improv rules.