by Andy Sturdevant • Mar. 20
Artist Andy Sturdevant reflects on his invigorating experience as an Arts Advocacy Day participant.
by Tom Poole • Mar. 17
Playwright Tom Poole cracks wise on critics of dance and on dance criticism.
by Phillip Koski • Mar. 16
Architect Phillip Koski examines the nuts and bolts of ASFB's choreography.
by Ed Huyck • Mar. 14
Theater critic Ed Huyck explores new territory and is invigorated, puzzled, rewarded.
by Cristeta Boarini • Mar. 13
Audience | Criticism
The audience responds, live, to Aspen Santa Fe Ballet at the Northop Auditorium on Tuesday, March 8.
by Camille LeFevre • Mar. 11
Introducing a new series on criticism, responses to Aspen Santa Fe Ballet.
by Matt McGeachy • Mar. 9
Matt McGeachy on why critics put their own particular version of excellence at stake in their critiques.
by Camille LeFevre • Mar. 6
Camille LeFevre on the Performing Arts Archives at the U, which is where her performance programs should be.
by Justin Leaf • Mar. 2
Justin Leaf on watching classical and contemporary ballet.
by Jessica Fiala • Mar. 1
Jessica Fiala provides multiple ways into watching and understanding Bharatanatyam.
Matthew Foster is communications director for the Minnesota Fringe Festival, writes plays for the Ministry of Cultural Warfare, does graphic design for public-policy organizations, and was a co-founder of this-here Web site.
See it this week at Illusion Theater in Minneapolis. Presented by Green T Productions.
Matt Saxe Produces and Performs In Crazyface playing at nimbus theatre this month.
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