by Kevin Obsatz • Nov. 3
You thought film was where the money was? Think again. Kevin Obsatz makes an impassioned plea for a sustainable, Minnesota-centric film industry.
by Lightsey Darst • Nov. 3
Criticism | Vision
Decentralized, political, process-oriented, and anti-fashion: Does that sound like the dance you've seen around town?
by Craig VanDerSchaegen • Nov. 3
A photo essay of Skewed Visions' rehearsals for He Woke Up In A Strange Place Called Home And Although Looking For Bed He Kept Finding Death Instead.
by John Middleton • Nov. 3
Clarity is not your friend; foreign-sounding words are - and other tricks of the critical trade from John Middleton.
by Victoria Stewart • Nov. 3
Innovation | Management
No wacky playwright, living on absinthe and cobwebs, is Victoria Stewart. No regular paycheck or stability has she either.
by MinnesotaPlaylist • Nov. 3
From the birth of the NEA to the battle fields in Minnesota, Patrick Scully explains the "Culture Wars" coherently, vividly, and quickly.
Specs and contact information for twenty good rehearsal spaces.
by Alan M. Berks • Nov. 3
Process | Tradition
After thousands of years of performance, most rehearsals share a surprising amount of consistency. Why? Is this good or bad? (Part 1 of 3.)
Process | Production
Think you know what sound designers do? Watch this video interview to learn the real scoop from Victor Zupanc, one of the country's best.
Posted Oct. 30
News and notes |
We're now feeding the hashtag #2amt on our homepage along with #mnpl. Why?
Matthew Foster is communications director for the Minnesota Fringe Festival, writes plays for the Ministry of Cultural Warfare, does graphic design for public-policy organizations, and was a co-founder of this-here Web site.
See it this week at The Warren Artist Habitat in Minneapolis. Presented by Workhouse Theatre.
Matthew A. Everett moderates discussion of Rabbits playing at The Warren Artist Habitat this month.
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