Posted Mar. 28
News and notes | Vision
The Walker Art Center acquires sets created by 20th-century artists for the Merce Cunningham Dance Company: Should other companies be saving their décor?
by Matt McGeachy • Mar. 25
Matt McGeachy waxes eloquently on the two P's of writer's block.
Posted Mar. 23
Special focus | Audience
Isaac Butler muses on why theater is so poorly portrayed on the big screen—and the exceptions.
by Andy Sturdevant • Mar. 20
Artist Andy Sturdevant reflects on his invigorating experience as an Arts Advocacy Day participant.
by Tom Poole • Mar. 17
Playwright Tom Poole cracks wise on critics of dance and on dance criticism.
by Phillip Koski • Mar. 16
Architect Phillip Koski examines the nuts and bolts of ASFB's choreography.
by Ed Huyck • Mar. 14
Theater critic Ed Huyck explores new territory and is invigorated, puzzled, rewarded.
by Cristeta Boarini • Mar. 13
Audience | Criticism
The audience responds, live, to Aspen Santa Fe Ballet at the Northop Auditorium on Tuesday, March 8.
by Camille LeFevre • Mar. 11
Introducing a new series on criticism, responses to Aspen Santa Fe Ballet.
by Matt McGeachy • Mar. 9
Matt McGeachy on why critics put their own particular version of excellence at stake in their critiques.
See it this week at The Peoples Center Theater in Minneapolis. Presented by Candid Theater Co..
James Napoleon Stone Performs in Dogwood by Seraphina Nova playing at The Peoples Center Theater this month.
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