by Commarrah Jewelia Bashar October 25, 2018
Interview by Nikki Abramson October 24, 2018
An interview with Parker Miller
Review by Nikki Abramson October 23, 2018
Small cast, big talent
by Steven LaVigne October 23, 2018
The Importance of Theater Icons Issue #24
by Kayla Hambek October 22, 2018
A local university cuts the beloved theatre program
Interview by Sam L Landman October 22, 2018
The Bazzness: with Sam Landman
Review by Erin McNeil October 19, 2018
Lyric Art’s God of Carnage
Review by Aron Woldeslassie October 19, 2018
Review of Two Degrees
Review by Aron Woldeslassie October 18, 2018
Really Outside of History
Review by Erin McNeil October 16, 2018
Mary Poppins at Artistry plays games of all sorts
Interview by Sam L Landman October 16, 2018
Review by Aron Woldeslassie October 12, 2018
La Rondine
Review by Denzel Belin October 11, 2018
Understood by Trademark Theater
by Erin Roberts October 9, 2018
Awards, what do they mean? Really?
Interview by Sam L Landman October 8, 2018
Review by Erin McNeil October 4, 2018
Frank Theatre’s production of The Visit
Review by Ira Brooker October 3, 2018
The Guthrie’s revival does well by its literary roots
Interview by Sam L Landman October 1, 2018
Review by Aron Woldeslassie September 28, 2018
Bucket Brigade’s new musical doesn’t quite answer the questions it asks
Review by Kit Bix September 28, 2018
Little Women at the Jungle
Review by Atlese Robinson September 27, 2018
For colored girls hits nearly every mark
