Based on a true story (once upon a time) 08/13/2012 10:59am

Editorial

The Community Behind the Curtain Sin Eater was the perfect last chapter for my Fringe experience. Tamara Ober’s exhausting mountain climb matched the last few days- and I wanted to relax in the cleansing springs along with her. Like many I had traveled through countless venues, met amazing artists, ate horribly-great around town, and celebrated Minneapolis with my friends. I feel lucky to have had the opportunity to bombard myself with the creativity that swirls around this city. As an artist- I was swept by the boldness of creators to take ownership of their work and claim these stories with no apologies. As a resident- I was inspired by all of the effort and intelligence it takes to produce a show that reaches out towards a hungry community. As a person-I was educated by every single person I met that shared a piece of their own experience with me. I discovered that every show represents a community and every community deserves to be represented. When you are able to see yourself-breathing-making choices-living, you can begin to examine your own breathing-choice filled- life. It became impossible to write about a piece without thinking about myself behind the curtain. Who do I fight? Love? Hate? Where do I contribute to the greater good? What mountain would I climb and for whom? The Fringe became more than just a list of “best of’s” or “audience favorites." Time after time I was more moved by what each artist shared in 50 minutes than how well they performed. I know I may forget who was the funniest, but I will always try to remember the joke. I want to thank Alan Berks for inviting me to blog for the Fringe- a challenge that terrified as much as excited me. Just Between You and Me: I began to miss it all late last night while sitting, beer in hand, staring at my horrible television with Netflix calling like an old friend.
Headshot of Ricardo Vazquez
Ricardo Vazquez
Based on a true story (once upon a time): As a classically trained actor I learned to study history as a template for dramatic action, character behavior and language with no room to deviate from the aesthetics of a given period. But, as a writer, free of any training, I find historical moments the most rich to draw from because they provide an outline for an event leaving the means of storytelling to the writer to recreate. What goes into a memory? What tools do we need to convey the past- presently- within the fast changing aesthetics of theater?